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The Synth-Pop Duo's Musical Force Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) formed Soft Cell with Marc Almond at Leeds during 1977

Dave Ball, one half of the innovative 1980s electronic music duo Soft Cell, has passed away at the age of 66.

Alongside singer Marc Almond, the pair achieved a worldwide hit with their version of Gloria Jones' the classic track Tainted Love in 1984, and their first record Non-Stop Erotic Cabaret is regarded as a classic of synth-pop.

He later formed the innovative electronic act The Grid, who secured popular acclaim with 1994's Swamp Thing.

Ball passed away calmly in his rest at his residence in London on October 22, only a short time after performing a featured performance with Soft Cell at the Rewind Festival in Henley-on-Thames.

Health Struggles

At that performance, Ball appeared in a mobility chair, as he had for the previous couple of years, following a period of ill-health.

"I ended up injure myself significantly," he commented in a recent interview. "I broke spinal bones in my back and cracked about five ribs and broke my arm."

Following contracting pneumonia and developing sepsis, he was placed in an medically-induced sleep and stayed in the hospital for seven months.

However, he had been in "high spirits mentally" over the summer, as he worked on a fresh record with Almond, titled the upcoming Danceteria, which is set for publication next year.

"He was concentrated and very pleased with the new album that we literally finished only a short time ago," stated the singer in a tribute.
"It's so sad as next year was completely planned to be such an uplifting year for him, and I find comfort from the fact that he listened to the finished record and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the vanguard of the synth-pop movement in the beginning of the decade

Heartfelt Messages

Almond described his bandmate as "a wonderfully brilliant musical genius", adding: "He was the core essence of Soft Cell and I'm very proud of our legacy.

"Thank you Dave for being an significant aspect of my life and for the music you gave me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, also paid tribute, recalling Ball's "constant humor" and "unwavering friendship".

"Forming a duo with someone is distinct from being in a band, the connection is incredibly close," he continued.
"That was the case with us. We went through so many extraordinary, incredible, life-affirming experiences as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in recent years

Formative Years

Born into a single-parent household in Chester in 1959, Ball was given up for adoption when he was 18 months of age.

He was raised in the seaside town with adoptive parents his caregivers, who altered his first name from his birth name to David, together with his sibling his sister, who was also adopted.

He encountered Almond at Leeds Polytechnic in 1977, where they were both learning art. Fuelled by a mutual passion of a music genre, they formed Soft Cell the very year, and quickly produced an extended play.

Creative Collaboration

The pair were an unusual pairing: Ball was the quiet technician, bent over his synthesizer, while Almond was a charismatic showman, all sparkle and eye-liner; but they achieved a unique musical alchemy.

Ball had cultivated a interest with synthesizers after viewing the band Kraftwerk appear on BBC science show Tomorrow's World, and began to marry moody electronic sounds to the catchy tunes Almond was composing.

Tainted Love became the UK's second most popular single of 1981, selling millions of units globally. Together with successful tracks by other artists, Human League and Ultravox, it contributed to paved the way for the electronic music style of the 1980s.

The track was also included on their first album, Non-Stop Erotic Cabaret, which spawned two additional top five hits: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the stand-alone single, Torch, which reached at number two in the following year.

Soft Cell in the studio
The pair were working on new material until just before Ball's passing

Career Highlights

Fame had its upsides. "I enjoyed being able to purchase my initial property, having money and exploring, which makes me sound like a Miss World," Ball not long ago shared with a publication.

But it also caused challenges. "Sudden riches meant we could afford newfound drugs to alleviate the boredom" of media interviews and television shows, Ball explained.

"I realize that's a cliché, but it's a cliché for a valid cause, because it applies for so many musicians."

Amidst the hedonistic lifestyle, the duo were also drifting apart, but they managed to create a second memorable record - the wayward, tense and aptly-titled The Art Of Falling Apart.

They put out another LP, their 1984 release This Last Night In Sodom, before ending the group to focus on individual endeavors.

Almond went on to have a successful individual path, including the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who combined dance music with melodic sounds over a enduring partnership.

Later Work and Comebacks

Soft Cell reunited in 2001, releasing the charting record Cruelty Without Beauty.

Following another break, they returned in recent years, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a farewell show at the O2 Arena on 30 September, that year.

However, they remained together, recording their latest project, Happiness Not Included, during the pandemic Covid lockdown.

Ball recently described the duo's upcoming release as a homage to the New York club scene they frequented while recording their initial records.

He added that his period in hospital had influenced the group's music.

"I had strange recollections when I was coming and going of the hospital because I was on morphine," he explained to a publication.
"The new songs are a digital reflection of the sounds in my mind from those days.
"In parallel, it's about the experiences me and Marc had in the 1980s."

The final mixes were finished only a short time before Ball passed away. It is scheduled for launch in the spring of 2026.

By

Michelle Vargas

A music journalist with a passion for progressive rock, specializing in band histories and album analyses.

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